Free mobile version of Spotify to be introduced

According to the Wall Street Journal, Spotify is about to introduce a free mobile version.

The new ad-supported offering will allow nonpaying mobile users to play a limited number of songs on demand, but will mostly serve up music based on the user’s input, much like custom radio services such as Pandora.

This move makes a lot of sense.

The usual path of a Spotify user was to get the free desktop version and then they would eventually upgrade to premium. Either because of the ads or because of the mobile version which is currently limited to premium users.

But given that traditional computers are on the wane, Spotify is slowly losing their only channel for users to upgrade.…

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New Artist website from Spotify gives interesting insights into business model

Exciting stuff going on over at Spotify: Today a new website for artists,, was introduced. On this website, Spotify gives – among other things – some interesting insights into their business model.

Spotify Revenue Model

So basically, Spotify take all the revenue from paid subscription and ads, keep 30% and multiply the rest by the times the relative number of streams of an artist. This is what the label gets. The artist ends up with whatever is left after the label takes their cut as negotiated in the individual contracts.

So Spotify does not pay per stream, but rather pays according to the formula above (i.e., in relation to an artist’s relative popularity on Spotify).…

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Rdio, please don’t die!

Rdio LogoAccording to Techcrunch, Rdio is laying off people – allegedly up to 35 people or 25% of the work force –  “to improve its cost structure and ensure a scalable business model for the long-term”, as TC quotes a Rdio spokesperson.

In other words: Rdio’s investors are getting cold feet thinking about the burn rate. Which is quite understandable in a way.

Seeing that Spotify and Deezer seem to be putting a lot of investments in improving their service (see my recent posts on Deezer and Spotify) I have my doubts that now is a good point to start cutting investments – least of all in engineering, where reportedly “significant cuts” have been made.…

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Deezer introduces “Personal Music Feed” and “Deezer Editors”

Deezer just introduced the “Personal Music Feed” as well as “Deezer Editors”. Here’s a quick wrap up on what it’s all about, and how it compares to Spotify.

The feed can be found as “Hear This” within Deezer. Looks pretty good – and quite similar to Spotify Discovery, released back in May.

In the FAQ Deezer gives a few more details on how the newsfeed is generated:

“There are several types of recommendations:
– choices based on your listening habits
– selections from the Deezer Editors around the world
– new music from artists you love
– Deezer Sessions, Deezer Apps.…

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Just ran into Spotify 3,333 track limit. Not happy.


About 90% of the time I use Spotify on my mobile. However recently I just so happen to travel a lot in regions with a bad network. ‘No problem’ I thought, ‘Luckily there are Offline Playlists in Spotify’.

This worked quite well for a while, however I quickly ran out of space on my phone. Since I’m on iPhone I didn’t just get a new 64GB sdcard for 20 quid, no! I bought an iPod just as Steve Jobs would have wanted me to.

Anyway, so I decided to get all my playlists – and I have quite a few ones – offline.…

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One thing I still miss on Spotify is a convenient way build your music collection. I may be old fashioned, but what I basically want is to have a collection of “my albums” in one place so I can browse through my music and decide what I want to listen to.

Since there’s no way to do that in Spotify right now, I currently build my collection using playlists and playlist folders: I basically create a collection for every album, then put all those album into a folder called “Collection”. Since there’s no way to sort playlists alphabetically, I have to do that myself – manually.…

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The 3 stages of music discovery

Recently Spotify’s Daniel Ek introduced Spotify Discovery (read the wrap up here). In his speech he pointed out the benefits of context for music discovery. So just to pick up his point, here’s what I think are the three stages of music discovery – radically simplified.

1) User searches

2) Recommendations

3) Context

In the most simple form, music streaming services offer their users access to music. To find something to listen to they would have to enter a band or song into the search tool to find what they wanted to listen to.

In the next step, recommendations, the tool will suggest something to listen to.…

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Do we really care what music our friends like?


Back in 2011 Spotify said that “Music is one of the most social things there is.” In what sounded like a threat they added “You’ll now start seeing new music posts and play buttons all over your newsfeeds.” And indeed, we did. Even when the posts became more balanced, I never really felt that it was that interesting to know what my friends were listening to (still far more interesting than pictures of food, offspring, or offspring eating food though. You know who you are!).

The other day I came across this article by Robert Andrews where he concludes:

“For me, music is not “social” but is, in fact, the most personal cultural artefact imaginable.

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WiMP enters German market

After the music streaming services Rdio, and Deezer only recently entered the German market, yet another player will join the merry crowd : WiMP (yes… let’s hope they change their name for the English-speaking market!) is the name of the service, and users beta access can be requested on their German website

So what are they bringing to the market? As Thor Martin Jensen, Global Editorial Manager of WiMP said on, editorial content will be at the core of the service. Also, their plan is to allow the music industry to participate in the development of the service.…

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